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Programmers can extend the LightWave capabilities using an SDK that delivers Python and LScript (scripting language scripts) scripts and C languages. Animate components have features like reverse cinematic and default for character animation, particle system, and dynamics.
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The software includes a fast rendering engine that supports advanced features such as true reflections, radiosity, caustics, and 999 rendering nodes.
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But I sure would like to know how to get the most out of the standard RPF camera/channels import.Īnd thanks for taking time away from your Tinker Toys to share your knowledge. I will be upgrading my MAX2AE plugin for more control. However, 3D Channel Extract plugin in AE only allows you to import 8 (and the Background RGB doesn't appear to do squat). Also, on extracting the channel data in AE. I would love to see a VCP tutorial on this. I believe the scaling issue is due to not using the same same focal length in AE as in the 3D app. AE uses the upper left corner of the comp as the 0, 0 point instead of the center as in 3D apps. I remember seeing a tutorial somewhere that said the problem is the 2 different coordinate systems. Then, I add a solid with 3D switch on and it is out of position. Yeah, I'm running into the same problem as Golemek.Īfter rendering the RPF sequence in Max, I import to AE and extract the camera data. This is obviously a shot for the Twitch promo video that should be online soon. Cinema 4D has some very nice methods of integration and there is also a helpful plug-in for 3DMax called MAX2AE.Īnother concept we’ll cover in the future is rendering multiple passes from your 3D application to give you more control over compositing things like shadows and reflections. There are many ways to integrate your 3D program and After Effects but this method is great to know. Of course the camera data is locked to the rendered 3D animation so I can’t make changes to the camera, but I can easily place layers and particles into the scene with the ease and speed of After Effects. So now I can add 3D layers and elements and they will adhere to the same camera movements right inside of After Effects. By simply right-clicking the layer and choosing “Keyframe Assistant-> RPF Camera Import”, this instantly creates a new camera with the same coordinates and animation as my 3D max camera. This is the information needed to recreate my 3Dmax Camera in After Effects.Īfter importing the sequence into a new AE comp, I can extract the data into a usable 3D camera. Instead I rendered the shot plainly but I saved my animation in a special format called RPF and made sure to include the Z Depth information. While working on this title graphic, I wanted to add some smoke and particles but I didn’t want to keep rendering to see what my particles would like in 3D max.
Some things are easier to control in a 3D application and some things are better suited for compositing in After Effects.
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